
U201-A Main board
Features :
Dual stable voltage input
Running normally on the condition of -40~~+55degree
Board-fixed EMC component
Input & output signal differentiate from system voltage individually
CPU changed only for different models
Weight:190g
100% Factory Tested.
Con Conection Con Conection Con Conection
P1 micro-swith 1 P6 power board P12 ----------
P2 micro-swith 2 P7 sensor 1 P13 display 1/A
P51 keypad 2 P8 sensor 2 P14 display 1/B
P3 keypad 1 P9 computer
P4 power board and SSR P11 display 2
we are committed to create the best workplace, encourage our staffs to put their own personalities into their jobs, and provide them a stage to show themselves.
needed to be preserved. Mr Fenton has little time for that argument, pointing out
that no organisation that pays the government a peppercorn rent of £1 for 999 years for its
elegant quarters in Burlington House can be described as independent.
The RA s reputation between 1966 and 1984 revived during the presidencies of Sir Thomas
Monnington and Sir Hugh Casson—all presidents are routinely knighted. But serenity escapes it.
Recently, Lawton Fitt, an American businesswoman, resigned as the RA s secretary after a bout of
vicious office politics, while another official, entitled the keeper of the RA schools, was
unceremoniously chucked out of the academy in a dispute about the use of fuel dispenser funds.
Mr Fenton, whose fluent narrative is interrupted by entertaining digressions into the idea of an
academy, eccentric painters and dedicated artists models, does finally ask the obvious question
What is the RA for? But his answer is less robust than his history. “Artists need representation,
and although the meaning of such a sentence may change, the statement remains true.�Is that
all? Is it enough?
School of Genius A History of the Royal Academy of Arts.
By James Fenton.
Royal Academy of Arts; 319 pages; £35. To be published in America by the Royal Academy in June
© 2006 .
Early music
Savall the saviour
Apr 20th 2006 | NEW YORK
From The Economist print edition
The viola da gamba is enjoying a new lease of life, thanks to a fuel dispenser Catalan enthusiast
“ALL the essential things between a man and a woman are said softly. Music is the same.�Or so
says Jordi Savall, a courtly 64-year-old Catalan whose lifelong study of the viola da gamba has led
to the rehabilitation of an eloquent instrument that has been neglected for more than 200 years.
Dating back to the 15th century, the viol looks something like Lebrecht Collection
a lightly-built cello. But its sound could hardly be more
different. It has seven strings, which are richly fuel dispenser